Monday, June 10, 2019

I. Grekova's The Ship of Widows

"I'd have gone far if only I'd had known arithmetic."

"Eh, you women are a watery lot, however heroic you are."

I. Grekova's The Ship of Widows is a tale of a group of Russian widows living in a communal apartment with a share kitchen.  In some ways it reminds me of Jhumpa Lahiri's book, The Namesake, since both books beautifully express the speed with which lives are lived.  We are born, we live, we suffer, we die.  The book is unusual in that its subjects are almost all relatively ordinary women who have suffered the vicissitudes of twentieth century Russia.  One of the widows is a religious woman who supports the Soviet government but wonders why its leaders suppressed religion and converted so many churches into warehouses.  Another of the widows is a former opera singer, forever having affairs, trading gossip, and searching for romantic love.  Another widow thinks in nothing other than cliches.  The book's chief protagonist is a music teacher.  Her particular story captures much of the tragedy of her times.  Her mother and child were killed by German bombs in World War II.  She was wounded, and remained disabled throughout her life.  The final heroine of the story is a hard-working champion of an unappreciative son she bore out of wedlock.  None of the widows are classical heroines.  They are too flawed to be considered traditional heroes.  They fight, gossip, sin, commit acts of petty selfishness, judge others, and complain.  They have few talents.  Most are self-effacing, demure.  Even the pianist says that she lacks inspiration. Even so, they are survivors, and, by and large, they look out for one another.  And perhaps the point:  individually, the women aren't heroes, but representatives of a gender and generation, and members of a collective, their ability to survive deserves commendation. 

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